Incomplete maps, candles and many stories

Ragnar Ólafsson – Mjazzga, Elbląg; November 18th, 2018

After a wonderful week at Iceland Airwaves and returning to Reykjavik riight after to see Arstidir perform with Magnus Þór, I found myself in Poland once again to attend Ragnar Ólafsson’s solo tour. Somehow he had managed to get there a day before I did and play another gig, but I joined him in Elbląg. Even though I’d only seen him play his solo material live in May it felt like ages ago, because I could not attend any of his shows in October. So this gig in Elbląg felt all fresh and wonderful. It made me happy to see Ragnar and David play and the concert was a good one.

I’d flewn to Poland the previous night, with my flight being surprisingly on time after storms in Iceland had delayed most flights during the day. Spent the night in Gdánsk, made my way to Elbląg around noon and had enough time to walk around the pretty little city for a bit.  The gig was planned as a house concert originally, but had been moved to to a small club last minute. When I arrived I ran into A. who I had briefly met at Airwaves. We spent the time chatting and admiring the nicely decorated club. Behind the stage was a world map made of bricks, but strangely Iceland was missing. Candles on stage created a nice mood and I could not wait for the show to start.

The organizer of the gig walked on stage and announced them. I don’t know what he was saying, but it seemed to be funny, because people were laughing. Ragnar picked up on the fact that he said something about Vikings and explained the necklace he was wearing (Þor’s hammer). After the first song, ‘SSDD’, he added that the only Polish words he kew where the ones the car navigation system was saying. David added he only knew how to go right, which was good, because going in circles would always bring them back here, to a place they liked. 😀 I already knew then that the concert was going to be fun, because they were both in such a good mood. They were also noticeably tired which resulted in Ragnar having to think about the words to ‘Deva’ at times. It didn’t matter though and one would have to know the song really well to even realize he was hesitating.

Before ‘Bravery’ he asked how many ha seen him play before and it was only A. and me. Thus, telling the same story as always was safe 😉 It had some new additions though from wondering if grizzly bears liked Jägermeister (which, surprisingly, had become ‘”Jägermeister cinnamon vanilla” by now) to going into details about eating spam (“if you’re not laughing you don’t know what spam is”). I had missed the stories and the music. Somehow the songs are still evolving, with subtle or even bigger changes over time and I enjoy listening for those. My favrorites stay the same, with ‘Bravery’ being one of them, but each and every song has something I love and depending on my mood they speak to me differently. I was happy that night and just enjoyed being there. 🙂

Next up was a song that Ragnar wrote for his grandmother after she died and played at her funeral. He asked if I’d ever heard it but I hadn’t, so it must have been quite some time ago he last played it. He told us he found it while going through old demos. The song was rather beautiful and the words felt sooothig somehow. He forgot a verse in between, but it was lovely nonetheless. <3 Afterwards he asked us if we knew what “La la la” means in Icelandic. Everyone laughed when it turned out that it means nothing at all. Thus, he concluded the words can be used to express anything and be the saddest words in the world when put in the context of a sad song.

David returned to the stage for ‘Urges’, but first they needed to fix his monitor. There was no sound on it. When the tech finally got it to work, it was too loud, because David had kept asking him to turn it up. He joked that this is what they usually do during sound check. It promted Ragnar to tell a story about Ravi Shankar playing with The Beatles at Royal Albert Hall where people had mistaken his sound check for a song. Eventually they got it right and continued. Things like these always makes concerts more memorable. 😀 Again, Ragnar forgot the words, but they came back to him soon, so they just started over. I noticed some changes in the lyrics too and smiled, not only because I know the song well enough to notice, but also because that’s what so many musicians do without anyone ever knowing. The sound was great that night and every song sounded good. 🙂

We learned about time spent on the Mississippi river and writing a song every day. “Some where absolute shit, but a few where really good.” David joked there were two, so Ragnar said that there are only two David likes and he answered those were the only two he knew how to play. The  wonderful ‘Walls’ followed. It is one of the shortest songs I know, but these three minutes speak t me more than a thousand page book could. I still cannot figure out what it means, but it touches my soul and that is enough for me. <3

The venue had the well known pictures of Frank Zappa on the toilet above the men’s toilet which caused Ragnar to nerd out on Zappa for a bit. The most interesting part of that was finding out that the woman in the picture above the women’s toilet was one of the Turnettes, Ike and Tina Turner’s backing vocals, who sang on one of Zappa’s albums and that Tina herself sang on the album, but Ike hated it and thus Zappa was not allowed to use her name on the album cover. All that came forth after someone from the venue mentioned she was one of Zappa’s backup singers, but they did not know her name. it was just a prelude to saying there was a piano on stage and we were supposed to sing next. Ragnar joked we’d find the lyrics under our seats and David added they’d be next to the life jackets. 😀 The next song of course was ‘Relations’ and we actually managed the sing along pretty well. At the end I heard him say “We’ll skip ‘Red Wine'” in Swedish. I would have liked to hear that one, but it didn’t really fit the mood.

The setlist, i.e. the phone was almost out of battery which lead to a short discussion of the old days where they were written on paper. I sure miss them. It was back to the Mississippi for the next song, a new one called ‘Muddy Waters’,  a tribute to the muddy Mississippi. He told us a little bit about the beauty of life on the river, how nice and helpful people are who live there. They’d played the song during soundcheck and I’d really liked it. It is very bluesy and stands out from the rest. This one might become a live favorite. It sure is fun. 😀 Next up was ‘The Message’. I’d asked Ragnar to play that song, because it had been playing in my head lately. The song has evolved much since I’d heard it for the first time in May and turned into something truly beautiful. Exactly the song I had hoped for and very much the song I needed right then and here. Thank you! <3

They told us we’d get to hear one more song and could vote for an encore with our hands. We were taken back to the Mississippi again for ‘Southern Nights’ and again managed the sing-along well. Funny, I remember this song did not do much for me when I first heard it, but it is so uplifting that I really enjoy hearing it now. It worked well to end the main set and people enthusiastically clapped and cheered for more.

They returned and mentioned how nice it was when he main part of the show was over and they could play whatever they wanted. Ragnar stood on a chair to my right and played ‘Wine’. It worked nicely. ‘Needle and Thread’ was next. He did the first verse acoustically on his own, befre they started playing, then repeated it again to guitar and violin. I liked it that way. They said goodbye again, but we would not let them go.

Ragnar was back on the stage alone and spoke about Ask the Slave. Since someone in the audience thought it’s be a good Name for an African band, he explained ow it was a tribute to the people who had invented Blues and Rock. David asked if he was going to play ‘Sleep now’ right away or not and Ragnar answered that he’d play the other song first or something like that. It was all in Swedish, but I gathered that we’d hear ‘Where the wild Roses grow’ first. That’s what happened too and the audience even sang along. 😀 David joined him again for ‘Sleep now’ and Ragnar walked around in the room to sing to everyone. I would have gladly heared a few more songs after this, but it was the last one. A good end to a good show.

I stuck around, talked with A. a lot, who, as it turned out, had been in Malmö for Progressive Circus too. We chatted with Ragnar for a little while  and eventually said goodbye. It was fun, see you tomorrow.

pictures of this concert

Setlist

SSDD
Deva
Bravery
Icelandic – grandmother
Urges
Walls
Rellations
Muddy Water
The Message
Southern Nights

Wine
Needle and Thread
Where the wild Roses grow
Sleep now

My garden, my living room, my friends

Magnús Þór 70th birthday concert – Háskolabíó, Reykjavik; November 15th and 16th, 2018

The first time I ever heard of Magnús Þór was when he joined Árstíðir for their Christmas concert in 2016. He is a legend in Iceland, but with most of his songs being Icelandic, I doubt many people outside the country know who he is. I liked what I heard though and when they announced an album together I was looking forward to hearing it. It came with a Karolina Fund campaign and one of the rewards was a ticket to Magnús Þór’s 70th birthday / Gardurinn minn release concert. “Good idea!” I thought and chose exactly this. Therefore I found myself at Háskolabíó on a rainy Thursday night, not at all prepared for what was about to come, but happy to be there.

Talked to Ragnar before the gig and he told me to expect a musical feast spanning songs from the 60ies until today, soft and loud with many different guests. That sounded even more interesting 🙂 The ticket I got was sixth row center with a perfect view of the stage, because it was exactly the right height. I had brought my camera, but decided not to use it, since the entire concert was being filmed and shown on TV and a distracting “clack” noise was not what they needed, especially during the first, more quiet half of the show. As we walked in, a guy was sitting at the piano and playing until everyone was seated. The stage was set up like a living room with lamps everywhere and some comfortable chairs. On the right side sat Jenný, Magnús wife, knitting for the duration of the show. It was like he was sitting at home and had invited his friends over to celebrate.

The venue was sold out and everyone was waiting for the show to start. We clapped as Magnús walked out, then settled back into our chairs and watched the evening unfold. The first song was just Magnús on guitar and the piano player. The beauty of it all drew me in right away. I got lost in the sound of the music and his slightly rough voice. I did not understand the words, but I felt them. 🙂 He announced guests and out walked Páll Óskar to much applause. I’d never heard any of his music, but I knew he is quite the Pop star in Iceland and recognized him instantly. Magnús told a story about him that must have been funny, but of course all that went past me. I wished I understood, it would have made the concert even better. The two of them performed a song together that Ragnar told me later was a song Páll Óskar is known for, but not everyone knows that Magnús wrote it. It even seemed slightly familiar to me, but I have no idea where I could have heard it before. Either way, it was lovely.

Next to join him on stage was Þórunn Antónía and I heard him introduce her as “dottir minn” (my daughter). She, too, is a well known Pop star and sang one beautiful song with him, called ‘Play me’. I was quite surprised that it was in English. Magnús welcomed Jóhann Helgason to the stage who joined him on guitar for another song in English. And here I had been thinking he only wrote in Icelandic. After one song together Magnús Magnússon played drums with them. His as the first familiar face I saw on that stage after Magnús Þór. He has played drums with Árstíðir a few times. In that constellation they played ‘Blue Jean Queen’ together and in-between Magnús was telling stories. The whole feeling of it all reminded me very much of being at a Reinhard Mey concert, even though he is usually on stage alone. It must have been the storytelling.

Árstíðir walked out to great cheers and got to perform ‘Jólabæn einstæðingsins’ on their own, just all three singing into one microphone. It was very beautiful, especially because each one of them had a small solo part. It reminded me of everything I love about them. <3 They joined Jóhann and Magnús for a few songs. One of them, ‘Álfar’ they had already performed together on TV. With five voices singing the concert gradually grew a bit louder. One more song,’Sail’ on was in English, the others Icelandic. I loved hearing how their voices harmonized and it amazed me just how different these songs were. It sure was a wide range of material. By that time it had stopped bothering me that I didn’t understand and I just let the music guide me, even closed my eyes from time to time. There is no other description for this than beautiful and I was so happy to be there, felt lucky that I got to witness it.

After ‘Sumir Dagar’ Árstíðir left and Ragga Gröndal joined Magnús on stage. They joked about how to combine their names into “Magnheiður” or “Ragnus” then sang ‘Húmar að’ together. Her clear voice rang out across the room, harmonizing beautifully with Magnús rough one. Everyone was so quiet you could have heard a pin drop. <3 Magnús got flowers and other birthday presents and Ragga made a speech that ended in much cheering from the crowd. Together they played one more song, the wonderful ‘Ást’, before they sent us off to a break.

The second half of the concert was much more powerful than the first and gradually grew louder from beginning to end. I liked it even better than the first half. Árstíðir were back on stage and Magnús as well as Daníel talked about their collaboration album “Gardurinn minn” for a bit. Again, I wished I understood, but soon I settled for just listening to the music again and not worrying about the words. Magnús Magnússon was back on drums and they performed several songs together, ‘Ein róandi’ and ‘Skaplegur fatnaður’, two of my favorites on the album was among them. 😀 In-between songs, there was a lot of talk and some laughter in response.

In the end of their set Magnús spoke about his album “Music for Jenny” with Tómas Jónsson and played a song I didn’t recognize, but really enjoyed. Afterwards he received a medal of some kind and some more birthday presents.  Another guest, Sverrir Bergmann, walked out, they talked a bit and then he sang ‘Þar sem hjartað slær’. First he was on his own, but then he was joined by Fjallabræður a men’s choir. If I recall correctly, I counted over 50 people. It was magnificent! Sverrir’s voice alone was beautiful, but backed by the choir it was something else entirely, so good it drove me to tears. He left after this one song, but Fjallabræður stayed for the rest of the concert. With the choir, more musicians had joined them, including a second drum, a violin, a guitar and a bass.

After much talking and more laughter, Magnús and Fjallabræður sang ‘Freyja’ together, then he greeted Jónas Sig, who joined for a few songs. A memorable one was ‘ísland er land þitt’ where everyone in the audience joined in and with this song and the last two most of the evenings guests stood with Fjallabræður to sing together. If I’d known the words, I know I would have sung along too. It was a glorious celebration of music at the end of which everyone in the audience stood for standing ovations. What a night!

The following day I was back for more. The first concert had sold out and they added another one. This time around I was front row, which was great, but at times the lamp decoration was obstruction my view a bit. It didn’t matter though, I enjoyed it just as much. The setlist remained the same the second time around and the guest were the same except for Páll Óskar not showing up. There were no presents this time and I believe some of the stories were different. I especially remember Magnús talking about a jacket, but I have no idea what that was all about. It must have been very funny though. Jenný was there again too of corse, knitting a beanie she gave Magnús during the second half of the show. The same had happened the previous night as well. It was totally worth seeing again and I am glad I went to both concerts.

pictures of this concert

Setlist

?? (Magnús alone)
Ást við fyrstu sýn (Páll Óskar)
Play me (Þórunn Antónía)
Mary Jane (with Jóhann Helgason)
Blue Jean Queen (with Jóhann Helgason & Magnús Magnússon)
Jólabæn einstæðingsins (Árstíðir)
Álfar (with Jóhann Helgason & Árstíðir & Magnús Magnússon)
Sail on (with Jóhann Helgason & Árstíðir & Magnús Magnússon)
Þú átt mig ein (with Jóhann Helgason & Árstíðir & Magnús Magnússon)
Sumir Dagar (with Jóhann Helgason & Árstíðir & Magnús Magnússon)
Húmar að (with Ragnheiður aka Ragga Gröndal)
Ást (with Ragga Gröndal)

Garðurinn minn (with Árstíðir & Magnús Magnússon)
Ein róandi (with Árstíðir & Magnús Magnússon)
Eir ér sú vísa (with Árstíðir & Magnús Magnússon)
Skaplegur fatnaður (with Árstíðir & Magnús Magnússon)
Málverk (with Árstíðir & Magnús Magnússon)
Nýr dagur (Árstíðir & Magnús Magnússon)
Þar sem hjartað slær (Sverrir Bergmann & Fjallabræður)
Freyja (Fjallabræður)
Ef ég gæti hygsana minna (Fjallabræður & Jónas Sig)
ísland er land þitt (Fjallabræður)
Og þess vegna erum við hér í kvöld  (Fjallabræður & Jónas Sig)
Jörðin sem ég ann (Fjallabræður)