Sometimes music speaks to my heart more clearly than words

Ólafur Arnalds – Elbphilharmonie, Hamburg; October 5th, 2018

This past spring when Ólafur Arnalds played a few concerts in Grmany on his tour, my friend I. said “I was hoping he’d play at Elbphilharmonie”. Therefore, when the concert for October was announced we got tickets right away. Me, despite the fact that I had originally planned to see BAP that night. I. ended up seeing a different concert instead, but I was much looking forward to this for many months. Finally I got to see the mighty Elbphilharmonie and hear Ólafur Arnalds’ new work. The venue was awe inducing and the music… let’s just say it was the first time one of his concerts made me cry. After 90 minutes of thoroughly beautiful music, I left the venue with a happy sigh, content I’d had the chance to be there.

Hamburg remains one of my favorite cities, even though I moved away 15 years ago and it still sometimes feels like coming home when I get there. As usual my train was late and as usual I had planned for it so I arrived pretty relaxed with enough time to check in to my nice hostel, relax, change and walk to Elbphilharmonie. The sun was just setting as I had my first look upon the venue I’d heard so much about and it was very impressive. Somehow it reminded me of Harpa in Reykjavik, even though it is quite different. I took a moment to look at it before I walked in and I took a little time to stand on the balcony and look out over the harbor before finding the right entrance to the concert.

They did not let us in until about five minutes to eight. The concert took place in the big hall so I was surprised that it seemed rather small. It looked impressive and it is pretty high, but somehow I had expected something huge and it wasn’t. Then again, I am terrible at guessing crowds and have no clue how many people fit in there. A few thousand maybe? Counting was impossible for sure. I settled into my seat, took in the amazing view and smiled. I had a really good feeling about this.

We could watch as the string players brought out their instruments and disappeared backstage again. Unnur was on cello, Karl on viola, Victor played violin and I knew the other violin player too. Only the drummer was unfamiliar to me. At around 8:15 pm the lights finally went down. Suddenly, many people started coughing, which lead to laughter by others. They all stopped quickly though and when Ólafur and the band walked out, once we had stopped clapping, there was silence.

From the very first notes played on the piano the music took a hold of me and carried me away. It was so beautiful, I was completely mesmerized and already with the intro I was crying. I like his music and I enjoyed the other two concerts I saw, but it had never before moved me this much. Maybe it was the unique atmosphere of the room or maybe I was in an especially vulnerable state that night. It doesn’t matter why, all that matters is that I really felt the music this time around and I loved it so much, I find it hard to describe the way it made me feel. <3

He asked as if we could sing as he liked to sample our singing for his songs. Many in the rood denied, but we tried anyway, after he assured us he had a backup recording just in case and it sounded surprisingly good. “I knew you could do this, give yourself a big hand”. We did and our collective singing was beautifully incorporated into the music. I had no idea which albums the songs were from. Some seemed familiar, some did not, but recognizing the songs was not the goal here. I just wanted to be filled with the sounds in the room and let my thoughts run free, allow the music to speak to me on levels my conscious mind fails to understand.

At first it was only the piano and the strings, but eventually the drummer joined and stayed for a few songs. They were all playing really well. I loved how the music blended together and how well the drums fir in with the classical instruments. It all worked perfectly well. After a few songs, Ólafur explained about discovering a self playing piano in a hotel in Asia somewhere while he was traveling. It was playing John Lennon’s ‘Imagine’ and he concluded that was not the best use for such a piano. I clearly remember the look on Karl’s face at that moment. 😀 Anyway, he told us how he could not play the piano at the time because his hand was hurt, so he bought six of those pianos and spent two years with a programmer on getting them ready for his concerts. He showed us how he could just press a few buttons on a board and they would play.

‘Unfold’ from his new album ‘re:member’ was the song that followed and the title made me smile, because it made me think of that other song called ‘Unfold’. There were many times during the night when I just sighed happily and a few more that I cried. We got to hear songs from the current album, from ‘Island Songs’,  the Broadchurch soundtrack and ‘Living Room Songs’ according to the guy at the merch stand. I have no idea, but I take his word for it. What I do know is that I did not want the concert to end and that I felt blessed for having the opportunity to be there.

They played for about an hour and a half in total and I rarely took my eyes off the stage. They had beautiful lighting to support the music and it created a special atmosphere in the room. Sadly, not everyone seemed as enthralled as I was and I actually saw a few people walk out during the concert. It surprised me, but I guess it was not for everyone. At least they all tried to be very quiet. In the end they turned on the lights and Òlafur turned to each side to take a bow and thank us. We clapped for him to come out again and he did, with everyone else staying backstage.

The encore came with a story about his grandmother who played Chopin to him and always supported his music so he wrote a song for her that he thought fitting to play last. It was lovely and eventually I realized that it was not only him on the piano, but there was the sound of strings coming from backstage. The door was open and I saw all the string players walk in a circle, playing their instruments. It made me smile to get this view. When it was over I got up for standing ovations like many others in the room. The whole concert had been amazing and I felt deeply grateful for it.

Afterwards, in the queue to the toilet of all places I met C., who recognized me from pictures she had seen. We got talking and together with her and her colleague M. we went out for a drink. It was the perfect ending to a wonderful night. 🙂

Setlist

Intro
Árbakkinn
brot
Only the Winds
re:member
Unfold
Beth’s Theme
Verses
saman
Dalur
3326
Ypsilon
Undir
Ekki Hugsa
Nyepi
Doria
Near Light

Encore:
Lag fyrir ömmu

Ooh, I just know that something good is going to happen

Progressive Circus – Palladium, Malmö; September 29th, 2018

I cannot remember how I heard about Progressive Circus in Malmö, but it must have either been Anneke van Giersbergen or iamthemorning who announced they were playing there. either way, it looked interesting, especially after I read they were only going to have female/femal fronted bands at the festval. When I bought the ticket I had no idea I was going to have time in September, but was very happy when it turned out I did. The Festival was a nice, small one, organized by friendly people at a good venue. I enjoyed being there and had a good time. 🙂

My trip to Malmö started early and I was there around 9:30 in the morning. Unfortunately, my hotel would not let me check in before 2 pm and so I could not catch up on some much needed sleep before the concert. The weather was nice though and I spent some time walking around Malmö before lunch. At 2:30 I was at the venue and nobody was there yet, even though the doors opened at 3. I had expected a line. Waited, saw a handful of people arrive, got in and learned that photography was not allowed. Nobody was checking really, but I refrained from doing it. Thought it might be a good thing to just enjoy the concert.

Merit Hemmingson was first. Apparently she’s been making music for over 50 years. It was her on Hammond organ together with a drummer. Their music was instrumental and somewhat jazzy. They played well and had some good tunes, but after a while I got a bit bored because this was not really my style. Her set had a good length though and was the right warm up for everyone else.

The second artist was one I had come for: The wonderful Anneke von Giersbergen. No matter which music she plays or which band she is with, I always enjoy her work. She did a solo set for us and that alone was worth the trip to Malmö.

At the start she joked about not being very tall and with a stage like this one (that was not raised from the floor) it was good that people were seated. She wanted to know what vuur (fire) is in Swedish and tried saying it. Then started with Bruce Springsteen’s ‘I’m on Fire’, telling us we could sing along if we liked. I did and others followed. It was a lovely chorus. 🙂 Afterwards Anneke had to re-tune her guitar, exclaimed “Scheisse!” when it would not work and then of course asked for the Swedish word. Well, skit is a bit difficult to pronounce for non-Swedish speakers , even though I would think it can’t be that hard for someone who knows Dutch. Anyway, guitar was tuned eventually and we got to hear The Gathering’s ‘Saturine’. No idea if I’ve heard her play that song before, but I loved it.

She treated us to Pink Floyd’s ‘Wish you were here’ and it was so beautiful I cried. That song has always had a special place in my heart. <3 Her very own, ‘Circles’ was next and brought more tears to my eyes. So many memories come with that song. Anneke told us a stories how she would sing Mr.Misters ‘Broken Wings’ along to the radio when she was a child and how her aunt would always asked her to sing that song. Yet when she did it in concert, her aunt did not remember, but played along anyway. I enjoyed hearing the song very much. She also joked that we were so nice she wanted to take us all home to live with her.

“Do you believe in love?” she wanted to know and not everyone agreed so she admitted to being a hippie, a metal hippie 😀 and played Foreigner’s ‘I wanna know what love is’ for us. It was such a great selection of songs she had made for this concert. Next was a story about talking Ayreon into touring with her and how amazing it was, but in the end he said he’d never do it again. Thus, Anneke played one of his songs too, ‘Valley of the Queens’. She also gave us Kate Bush’s ‘Cloudbusting’ and ended with Iron Maiden’s ‘Wasted Years’. I must admit I’ve never paid any attention to them and now I think I should. I absolutely loved the song. It was funny too, because it starts with a guitar solo and she joked she’d never dare playing that if Vuur’s guitarists were watching. The whole set made me smile. It was as perfect as can be. 😀

Setlist

I’m on Fire (Bruce Springsteen cover)
Saturnine (The Gathering song)
Wish You Were Here (Pink Floyd cover)
Circles
Broken Wings (Mr. Mister cover)
I Want to Know What Love Is (Foreigner cover)
Valley of the Queens (Ayreon cover)
Cloudbusting (Kate Bush cover)
Wasted Years (Iron Maiden cover)

Next up were Promise & the Monster a four piece band with three women and one man. I really liked their music. It was good and varied and even had me tap my foot at times. They had an interesting selection of instruments with a violin and even a transverse flute added to the mix. They had lots of power and drive all through their set and got people going. I loved watching them as well as listening and when the one guys played his guitar with a bow it put a big smile on my face. They were all really good and I enjoyed the singer’s voice. It’s not exactly the stuff I’d listen to on a daily basis, but sure worth checking out. At the end of their set they walked off the stage one by one with the violin remaining last. The organizers sure chose the artists well.

The festival organizers came out to announce the next band and first asked were people came from to see the festival.It was quite a nice mix of countries including Denmark, Russia and even Mexico.

iamthemorning played an amazing set too. They are not the band I listen to a lot at home, as I need to be in a certain mood to do so, but I love to see them live. There is just something about Marjana being lost in the music, moving across stage and her beautiful voice that really captures me. Not to mention Gleb’s amazing piano work. This time they had a guitar bass and drums with them, but I did not know the musicians. I had been hoping for Guillaume on cello, but no such luck. That did not make the concert any less awesome though. 🙂

After ‘Touching II’ Marjana apologized in advance for any possibly offensive jokes and talked about how difficult it was to make friends in Sweden where “people are not good with social things”. She told a lot of stories that day like mentioning they were supposed to play in London, but they would not let her in. Also she agreed with Anneke on how nice people were here and she was right. It was a very respectful audience. 🙂 The songs were all amazing and some even felt a little less depressing than the rest of them. 😉 Well, she did warn us they’d sing about  death and mental illness and misery. Introducing ‘To Human Misery’ she even joked “That’s what we drink to in Russia”. Either way, I enjoyed it. It was a great set and they appear to be lovely people. Marjana was truly moved when they got standing ovations in the end. 😀

Setlist

Touching II
Scotland
Circles
Sleeping Pills
Libretto Horror
5/4
Romance
To Human Misery
Matches
I.B. Too
Chalk And Coal
Os Lunatum
K.O.S.

Finally it was time for Vuur, the band most seemed to have been waiting for. I like them, but I do prefer Anneke’s softer side. They certainly rocked the house, playing mostly their own songs, but a few covers as well. Watching the band is lots of fun, since they are constantly on the move. I got to see a lot of flying hair. 😉 They were loud though. I was glad I had earplugs. That being said, Anneke can sing anything and it was amazing to hear her clear voice mix in with such powerful music. The fact that the venue had great sound really helped too.

I had fun watching the band rock out and seeing the audience rock along. Anneke high-fived two guys who had chosen to sit on the floor in front of all the seats and they were visibly happy about it. She wanted to get everyone to move and with Devin Townsend’s ‘Fallout’ she asked everyone to get up and come closer. We did and she played ‘Fallout’ and ‘Rio’ among us. Of course they got an encore too and retured to the stage for us. Anneke asked them back to the stage and noted that “Vuur” was a weird name to shout. She thanked everyone before they played ‘Helsinki’. The last song of the night was The Gathering’s ‘Strange Machines’. 🙂

It had been a great night and the people I’d been chatting to between bands wanted to go out for drinks, but I felt beat so I declined and returned to my hotel to catch some sleep. I’ll keep an eye on this festival for sure. If there are more bands I like I might just return.

Setlist

Time – Rotterdam
On Most Surfaces (Inuït) (The Gathering cover)
My Champion – Berlin
The Storm (The Gentle Storm cover)
The Martyr and the Saint – Beirut
Days Go By – London
Fallout (Devin Townsend Project cover)
Freedom – Rio

Your Glorious Light Will Shine – Helsinki
Strange Machines (The Gathering cover)