On Icelandic dating, sister songs and pizza

Svavar Knútur – Die Bäckerei, Innsbruck; April 27th, 2024

When the tourdates for the sprig were announced, I saw only one near my area and decided that wasn’t enough, so I aimed for the weekend shows and settled on Austria, with Innsbruck being the first stop. I had not been to Die Bäckerei since I’d seen The Anatomy of Frank there back in 2017, but remembered I had liked the venue. It was the perfect location for a great gig. I loved all of it, from Svavar’s song selection to the wonderful crowd.

Due to the last minute Trier detour on Friday, I had a long travel day. Trains didn’t even take that long, but with waiting times it added up to an 11 hour trip.  When I finally got to Innsbruck, I was already tired. Not much time to rest and I was off to the venue. Of course I arrived to early, so the bartender directed me to a nearby park, where I walked around in the sun. It was a beautiful day. Once I returned, I said hello to Svavar, secured a spot at the front and had a nice glass of wine before the show.

Once on stage, he first asked us, who had never seen him before and maybe a quarter of the crowd raised their hands. That made him happy and he said he wanted to sing a lot of songs for us, so maybe he would not tell so many stories. Or tell stories and forget about singing. First was his grandmother’s favorite poem by Látra-Björg, ‘Ástarsaga úr fjöllunum’. He explained that she had written many beautiful poems, but this was a harsh one and gave us a quick translation. It was a good start to the show.

Svavar said that when he stated he swore he would never play the same concert twice and always changes things around a little bit. He spoke about Ahoy and that finishing it it took longer than expected, but the long time made it better. He now feels that his “Songs of misery of redemption” project, that started with the first album is now done, the story is told and he has worked through his grief. He added that he wants to continue being an artist though.

He made us all laugh with all the interesting things to write about apart from love. And because love songs are so boring, he wanted to sing one for us, ‘Morgúnn’. It is always a treat. After that we got a bit of an introduction to Icelandic language and culture, learning about romantic gesturesand no rhymes for “Moon”. He explained Icelandic dating as: You get drunk, you fuck, f it ws good, you do it again, then you watch a mivie and if you don#t wnat to kill the  other person you’re dating. There was a sub-plot about Svavar’s family and the movie ‘Twins’ somewhere too. 😀 It was all very funny. I love it, when Svavar is in a talkative mood.

‘Refur’ was next. All the songs about his children are lovely. 🙂 The audience loved it too. He told us about often writing “sister songs” with the same topic and wanted to play us the two songs about Icelanders  finally being able to leave their land in the late 1800 after being oppressed by the Danes so long. The history lessons are always an interesting part of the show and the two sister songs, ‘Lady Winter’ and ‘Hope and Fortune’ are two of my absolute favorites. I loved both and finally was able to sing along too.

Svavar mentioned how much of a privilege it is to be able to sing in his own languages and bring these songs out to the world. Before playing ‘Undir Birkitré’ he got from making jokes about Australia to not being judgmental about people’s sexual preferences. OK then 😀 The song eased us into having to sing along and everyone did a good job.

There was so much to laugh about that nigh, like Svavar imitating different German accents, joking that southern German was like “cowboy German”. The point of the story was to tell our friends in Vienna to go see the concert there, but on the way we got a story about being buried in snow. How we got from there to best friendships and ‘Ölduslóð’ I have no idea, but it all made sense. Afterwards we go a little story about Scandinavians versus the rest of the Nordics and how the Finns and the Icelanders end up drinking together. 😀 I especially love that he added “our non-binary siblings” to “our Finnish brothers and sisters”. <3

The final song of the first set was about the month that brings us into the darkness, ‘November’. He spoke about his love for winter. I love winter too, but November is ugly in Germany. Anyway, his disdain for Icelandic summer is very funny to me and ‘November’ is an amazing song. I always love it.

The break took a while, which usually means Svavar is selling lots of merch. Good for him. 🙂 Part two started with ‘Janúar’, the song that brings you out of the darkness, but first he told us to remind him of “the story of the pizza”. He really painted a beautiful picture of January before playing the song. For him coming out in the light at the end of the months is the perfect example of the process of grief. I never thought about it that way before, but it made so much sense. I really could relate to the notion of grief cleaning the splinters in your heart. <3 We got to sing in Icelandic too, including some examples of Icelandic versus German words. He explained the sing-along part really well and it was the best I have ever heard it.

He proposed a sing-along challenge for Hamburg and I immediately was sorry not to go there and I don#t even drink beer. 😉 If he actually posts that challenge, you’ll know what I mean. Next came the breakup song section, with an impromptu example of the wrong type of breakup songs. 😀 Learning from breakups lead us to hearing about his love for strawberry ice cream and making sacrifices in the spirit of science. 😀 We got two examples of breakup songs, ‘Hard Things’ and ‘The Glorious Catastrophe’. Especially the latter was great, because it was quite different from the last version of it that I’ve heard. 🙂

The we heard about the album he made with Lucy Ward and Aiden Townes, playing ‘Isn’t it funny?’ for us. Apparently the album got 4 stars in The Guardian and it’s definitely cool to hear about Icelandic merfolk compared to how they are presented in other countries. They will laugh at you to let you know you are wrong. 😉 After merfolk, we learned about elves and how again, they are different from how they are imagined elsewhere. This brought us to finding guitar picks in one’s pocket and ‘The Hurting’. It rocked the house!

He introduced the final song of the set, ‘Slow Dance’ as one he had not played for years. It is about childbirth from the perspective of a helpless man. He spoke about how his daughter Emma was born, how traumatic it was and the amazing child she has turned into. <3 The song was fantastic and I am sure I have never heard him play this one before. In the end we even sang along, very softly. 🙂

We could not let him go yet and cheered loudly for him to come back. Before he played anything else, he told us the story about the pizza, but if you want to hear that one, you’r gonna have to go to one of Svavar’s shows. 😉 After that, he played us ABBA’S ‘Like and Angel passing through my Room’ and ended the concert with his interpretation of the poem ‘Krummi Svaf í Klettagjá’. So we ended, like we started, with an Icelandic poem. It was perfect.

pictures of this concert

Setlist

Ástarsaga úr fjöllunum
Morgúnn
Refur
Lady Winter
Hope and Fortune
Undir Birkitré’
Ölduslóð
November

Janúar
Hard Things
The glorious Catastrophe
Isn’t it funny?
The Hurting
Slow Dance

Like an Angel Passing Through My Room
Krummi Svaf í Klettagjá

I went for hugs and a chat afterwards and was momentarily tempted to join Svavar for post show drinks, but I was really tired, so I said goodbye. Two more shows to go.

Good vibes, fun dancing and a lovely festival

Melodica Festival, Trier; April 26th, 2024

A couple of weeks ago I randomly received an email newsletter from Kyle Woolard, announcing a Germany tour. I was excited, until I realized that the dates where the one I had already planned and booked to tour with Svavar Knútur. So I sent him a message, saying I would not be able to make it. Shortly before my Svavar tour started, Kyle posted about Melodica festival in Trier and I realized it was doable and sort of on the way, so I booked a hotel and a train and spent my Friday evening in Trier. It was a fun detour for sure. 🙂

Got to the venue to early and chatted briefly with someone, who turned out to be Jen, Kyle’s wife. So lovely to meet her after otherwise only seeing pics of her on Instagram. I went inside, bought a drink and soon found a nice space upstairs on the side.

The room wasn’t fully filled, when the first act, Tal Arditi was announced. He started with a lovely guitar intro and had a great singing voice too. I really liked it. We learned that the song ‘I wanna cry’ was about feeling emotional, but having a hard time getting tears out. The upbeat ‘Lucy’ followed and I loved the underlying beats on this one.

He told us if we wanted to stand up and dance, that would be OK, but we could just as well sit or lie down. Then we heard a little about how he got to the festival. He played us a song, recently written in Ireland, called ‘Waiting for your love’. It started very slow and laid back, then got more intense, slowed down again and ended in a great guitar solo, when we thought it was already over. 😉

Tal switched guitars and told us a little story about taking this guitar on all his travels and how Senegal was the most impressive place they had been together, but all over Europe too. ‘I’m living again’ was lovely, with a nice sing-along part for us. He asked us, who knew his music and only the organizers and the sound guy did. He thanked everyone else for coming and had QR codes for us to scan. His final had a bluesy feel. I liked it. It ended in an extended guitar solo.

Setlist

I wanna cry
Lucy
Waiting for your love
I’m living again
?

We had to leave the room and go back downstairs so they could change stage and people who came later had he chance for a good spot too. I haven’t mentioned: The whole concert took place in an old tower that had been the living quarters of a rich family once upon a time. I got myself another drink and stood by the stairs, because Kyle was up next. Spent the time chatting with one of the organizers about too many concerts to see and scheduling trouble. 😉

This time I decided to sit down in front of the stage and joked with Kyle how I may never be able to get up again. He put on his awesome blue jacket and became Glorious Leader. I was hoping he’d bring that one. Someone from the festival told us that Kyle only got there short notice because some other artist had canceled. That explained why I could not remember this concert from the newsletter. He joked about the weird things you find when you google “glorious leader” and mentioned how Kyle had moved to a cabin in the woods in 2018 and not played live since.

He started out with ‘Sweet Louisa’ on ukulele, feeding that part into a loop station. It sounded great. I immediately realize that I had not listened to his music in too long, i.e. didn’t remember much of the lyrics, but was still drawn in right away and started smiling. Kyle thanked us in German and then made the mistake of asking us if we preferred German or English. When people answered “German” he had to admit that wasn’t happening. 😀

He introduced his friend Holly Lillis, who was going to sing with him. She stepped up and started snapping her fingers. Some of us joined in too. It sounded really nice. The song didn’t sound familar at all. Not sure if I’d ever heard it before. Pretty cool though, almost a bit jazzy and Holly’s voice was great.

Next up was ‘The Girl from Ipanema’ “an original about being from the south and young and very horny’. I did remember that one and even managed a bit of a sing-along. Kyle told us they were from Vermont, maybe the greatest of the 50 states and cute, where people are special and shop at Farmer’s Markets. He’d met Holly there and one day he was playing Banjo, came up with a riff and it turned into ‘Green Mountain Sun’. It was really lovely. <3

Meanwhile, more people had arrived and we were  told to move up a bit so they would fit in. Kyle decided to “pimp his merch” and showed us the two albums, letting us know they were not standard. Holly added that Kyle wrote a story for the second album. Yep, it is a book too. 🙂 we got ‘November Gloom’, which I recalled a being my favorite from ‘Glorious Leader and the Analog Cabin Mystery’. It ends on the line “love yourself when you’re angry, lost and boring you are wonderful” and I needed taht during the pandemic. It reminded me of a conversation with my friend K. at the time and put a big smile on my face. They sang it beautifully.

The show continued with ‘Onism’ and it didn’t sound familiar to me at all. Not sure if i just couldn’t remember or they played it differently from the recording. It involved a lot of electro sounds and semi silly dancing from Kyle. 🙂 He mentioned how he loved Germany and that he tried to respect the culture by learning one of our songs and how he has no idea what he’s singing and joked that it sounded heartbreaking. Then proceeded to cover ‘Alles nur geklaut’. It was fabulous, despite a few mistakes, and got a great sing-along going.

Afterwards he asked Holly if she felt she understood Germany a little better now and she deadpanned “no”. He thanked us for coming and the festival for having him, then let us know he would have a new EP coming out, called ‘Glorious Leader – how I made me first million’ and would leave us with a song from it, suggesting we could stand up if we liked. That song started very electro, loop-stationy and was almost ready to write it off, but then it turned to a nice melody after all. 😉 It was still a very fun show and I was glad I went.

pictures of this concert

Setlist

Sweet Louisa
?
The Girl from Ipanema
Green Mountain Sun
November Gloom
Onism
Alles nur geklaut
New song.

Another drink, a bathroom break and telling Kyle it was a fun show, before he went out to get some air and I went back upstairs to see the last artist of the night, Finn Raber. This time, the room was really packed again and I choose standing over sitting down. He was introduced of having played the previous year and being invited again.

He joked that so far, he’d been mostly playing birthdays, weddings and divorces so far and that usually he does not any song ideas unless he travels. Thus, he’d be playing some covers too, but started with one of his own songs, ‘Rescued at sea’ about his brother having to be rescued in the Caribbean. It sounded really nice.

Finn told us about his music to be found online and how the next song ‘The Adult Tree’ was available as a band version there. It was good too, lots of pretty impressive guitar work. so far, I enjoyed the music, but didn’t feel any special connection.

Eddie Vedder’s Hard Sun’ was next and a great cover. Now, that it had gotten fully dark, the lights looked great too. He spoke about his T3 Volkswagen bus that he used to travel in and carries lots of memories, one of which turnd to the song ‘Wind and Sea’. It was lovely, but again showed that he liked long guitar solos.

Finn continues with John Mayer’s ‘Neon’ and I didn’t really care for it. Wondered if I should leave, but wasn’t sure I#d be able to get out, so I stayed. His own, ‘Are you with me’ I liked much better. Like with ‘The adult tree’, his brother had written the lyrics. He covered ‘Jist another man in need’ and again, I didn’t really care for it.
Then he spoke about needing over a year to learn the next cover, Jon Butler’s ‘Ocean’. I recognized how it was amazing guitar work, but I got bored after about 5 minutes and that was only about half the song. As soon as it was over, I walked out, even though he played an encore. Hi music was nice enough, but once again, I realized I do not care for instrumental songs all that much.

Setlist

Rescued at see
The adult tree
Hard Sun
Wind and Sea
Neon
Are you with me
Just another Man in need
Ocean
?

Back donstairs, I was surprised to still find Kyle, Jen and Holly there. We chatted for a moment and when they asked me if I liked Finn I was honest that I did not care for that last song. jokes ensued about German honsty, people a parties or small concert who want to show off their (non-existant) talents and Germans always clapping on the beat. It was time for me to say goodbye, we hugged and Kyle promised it would not be another 6 years before I played concerts again. I sure hope so. 🙂