Darkness on the Edge of Town

Roughly two weeks ago, the following was anounced on the SPL (the Springsteen forum I’m on) :

IN THE WORKS: THE LIGHT IN DARKNESS
Lawrence Kirsch Communications, creator of the recent book For You, is beginning work on a new book called The Light in Darkness, to focus specifically on the Darkness on the Edge of Town era. Like For You, the forthcoming book will feature concert photography and stories from fans. Kirsch tells Backstreets, “This tribute to Darkness will be something special: more passionate stories, breathtaking never-seen-before photos, and some discovered artwork and memorabilia gems that will be of great interest to fans no matter when they were introduced to Bruce’s music.” Visit www.thelightindarkness.com for more information and to contribute.

This led to me listening to “Darkness on the Edge of Town” for the first time in a long time and thinking about how much I love this album. It took until today, but here is my contribution to the book:

‘Darkness on the Edge of Town’ was the first album that taught me how deeply music can cut you. I was a teenager when I first listened to it and the things Bruce spoke about instantly made sense to me. My world was scary and confusing, there seemed to be so much pain and not much hope. In the 20 years since, I have listened frequently to all of Springsteen’s albums, but Darkness is the one I love most.

It is the album that I turn to in dark times. Darkness is haunting, listening to it hurts. It opens a wound deep in my heart and then tells me how to mend. The pent-up anger, the doubt and the hurt I find on the album feel real. It is not music to soothe me, but music that will feed my anger and pain and then, eventually, bring the healing I sought for.

Darkness fills a void, it comes to you when you need a friend, someone who understands, someone who will stand by your side no matter what and share your pain. There’s no simple solution offered, no easy way out and one might just give up, but for me there is always hope, there is the belief that if one does not give up fighting, there just may be better days ahead.

When I listen to Darkness, it is not so much “Been there, done that”, but rather “Been there, felt that and survived (if barely).” This feeling that someone out there has understood and shares my pain has kept me going many times. For this reason alone, I will continue to cherish it.

Edit: My words are published on page 41 of ‘The Light in Darkness’

 

You don’t wanna mess with me tonight

P!nk – Dortmund; April 8th 2009

I just returned from one of the most awesome concerts I have ever seen. P!NK graced the Westfalenhallen in Dortmund with her presence and provided a night of great music, acrobatics and entertainment. Not my usual style, scripted show and all, but bloody amazing. I was very much blown away and that does not happen often these days.

Considering it all started somewhat badly I’m even happier with how the night ended. There was the usual chaos when they let us in (when will security people ever learn?) and I had some extremely annoying smokers around me once I was inside (in a non-smoking hall, mind you). Neither of that made me feel comfortable, especially since there seemed to be no air condition whatsoever, but there was nothing I could do to change it. I got an OK spot near the front though and vowed to enjoy the show either way.

The support act, Gunray were a bit boring. Alright to listen to, but nothing to write home about. After they were done it took ages until it was finally time for the real show.

The intro was AC/DC’s ‘Highway to Hell’ and the screens showed Pink getting on a motorbike and driving. She did not drive into the hall on a motorcycle though, she was pulled up out of the stage and floated above us during ‘Bad Influence’, the first song, her long dress trailing behind her. She came down on stage, rid herself of the trail on her dress and launched into the next song while the dancers and acrobats moved all around her.

For ‘I touch myself’ she was lounging on a sofa, wearing next to nothing with hands coming out of the cushions. Very sexy. She is really smoking hot.

Changing costumes several times, dancing and swinging from a trapeze she still never sang a wrong note. Amazing. It was so much fun watching her sing and interact with the audience. For an acoustic set she sat on chairs at a smaller stage in front of the main stage with the guitar player and bassist, singing ‘I don’t believe you’ and ‘Chrystal Ball’. ‘Family Portrait’ was sung only accompanied by the piano.

She moved from stage to catwalk, to the ceiling and back, hanging on a swing, going down a slide, dancing around with mirrors. The band was great too and the dancers were really talented. The stage looked amazing too and was well integrated in the whole show. For ‘Glitter in the air’ she was hanging from the ceiling inside a fabric swing and dipped into water. Glitter rained down on us and the show ended. WOW!

I totally loved it and I’m already contemplating going again in the fall. The closest to this type of concert I have ever been to was Robbie Williams and this was a few notches more of everything. Better? Not sure, but certainly different. I am happy I went.

Setlist

Highway to Hell (intro)
Bad Influence
Just Like A Pill
Who Knew
Please Don’t Leave Me
It’s All Your Fault
I Touch Myself (Divinyls Cover)
One Foot Wrong
U + Ur Hand
Ave Mary A
Leave Me Alone (I’m Lonely)
So What
Family Portrait
I Don’t Believe You
Crystal Ball
Trouble
Babe I’m Gonna Leave You” (Led Zeppelin cover)
Sober
Bohemian Rhapsody” (Queen cover)
Funhouse
Crazy (Gnarls Barkley Cover)

Encore
Get The Party Started
Glitter In The Air