Stories, language lessons and news of the new album

Svavar Knútur – Tafelhalle, Nuremberg; February 12th, 2023

After a great day at Nordklang Festival in St. Gallen, I moved on to Nuremberg to see Svavar Knútur once again. On all his most recent tours, I didn’t have time when he played near me, so I take any chance I can get to see him elsewhere and this was such an occasion. It was a beautiful show, just as I had hoped and left me smiling.

My trip to Nuremberg was uneventful and I even had time to relax a bit at my hotel before leaving. The venue was a 30 minute walk away and the weather was nice enough so I enjoyed going there. Had a drink, waited, found out photography was not allowed (why can they not print that info on the ticket?) and settled for an evening unhindered by my camera. Found a good seat at the front and watched as the venue filled up.

Right on time, one of the concert organizers introduced Svavar and he stepped on stage. He greeted us in German, saying he had not been there since 2014, apologized for his bad German, which slows down his thoughts and switched to English. He told us about language creating melodies and how it fascinates him, saying that Icelanders use the sea and the weather to describe their feeling, while Germans use forests and mountains.

He started with ‘Fagurt er í Fjörðum’, a song about the beggar-woman Látra-Björg, who wrote positive poems about the farms of people, who helped her and negative ones about the farms that didn’t. That way the farms had their stories and lived on. After this melancholia, he felt we needed a happier song and continued with ‘Undir Birkitré’, to which we all sang along. 🙂

We learned that he loves the fact he is allowed to drink beer on the job and taught us some made-up words. 😀 Then he spoke about breakups as a learning experience and played us a breakup song: ‘The hard Things’.

Before ‘Morgunn’ Svavar told us he never wants to leave anyone out and therefore offers translations of all his lyrics on his website. After that g, he spoke about frozen grief, losing his father and being a late bloomer in music, which finally helped him feel his pain. ‘Clementine’ was the song we got to hear then. <3

His upcoming album, ‘Ahoi Side B’ took a long time to finish, because it was missing a song about his youngest son. ‘Refur Song’ was beautiful. We then learned that he started writing ‘Wanderlust’ last time he was in Nuremberg and he talked about the need to go back on tour as soon as possible after Covid so people would know he was still there. We got a nice sing-along going of course. 🙂 ‘Girl from Vancouver’ was a request and put a big smile on my face. “Cute” is the only word to describe that song. It was a good end to the first set.

The second half started with ‘Emotional Anorexic’, “another breakup song”. I always love it. <3 After that he spoke about losing his aunt in an accident not so long ago and what that meant for the family, then played us her song, called ‘Impossible’.

We learned about Jonas Halgrímsson who invented 30000 new words for the Icelandic language and taught us a few words that only exist in Icelandic. He said that we should not use our language and thus it is important to sing in your own language, because it gives us a unique way of expressing ourselves that no other language can. It was the introduction to Brahms’ ‘In stiller Nacht’. To show us more language melodies, he played ‘Les berceaux’ by French composer Gabriel Fauré.

Svavar warned us about Icelandic rain – “never use umbrellas” and played winter songs, first ‘November’ and then ‘Janúar’, the month when light returns and hibernation ends. 🙂 In-between he taught us about the “many shades of black” worn in Iceland, because colorful clothes might attract polar bears. 😀 Before ‘Krummi Svaf í Klettagjá’ we heard a bit about Icelandic history with a side note on how people in different countries argue.

In the end, he spoke about how Covid times were harder for venues, sound engineers and other people that work to bring you live music, then it as for the musicians. The final song was ‘Song of Hope and Fortune’ – he could not have picked a better one. <3

We chatted a bit after the show and I got goodbye hugs before I left. That was lovely, hope to see you soon.

Setlist

Fagurt er í Fjörðum (Látra-Björg)
Undir Birkitré
The hard Things
Morgunn
Clementine
“Refur Song”
Wanderlust
Girl from Vancouver

Emotional Anorexic
Impossible
In stiller Nacht
Les berceaux
November
Janúar
Krummi Svaf í Klettagjá
Song of Hope and Fortune

Dreamy pop, funny stories and great guitars

Nordklang Festival – St.Gallen; February 11th, 2023

I’d like the small and lovely Nordklang Festival back in 2019 and returned there happily this year to see Svavar Knútur and a few others. It was a wonderful evening with great music.

I started out in the morning and arrived in St. Gallen in the afternoon, found my hotel and rested a bit before going for dinner and onwards to the festival. I had been hoping for snow, but there was none to be found, just weather too warm for February. Still, when I got to the first venue, the Glühwein smelled so nice that I got myself a cup, then found a good seat at the front.

First up where Vivii from Sweden, a trio playing nice pop music. At times there was a bit too much of an electro vibe for me, but loved their singing and especially enjoyed the acoustic songs. They played keyboards and guitar/bass, all three of them singing, some songs alone and some together. It was very enjoyable music overall and a good start to the evening.

Svavar Knútur, my reason for coming to the festival, was next. He introduced himself in perfect German and then proceeded to tell us how bad his German is. Only then he choose English as the middle ground between our good German, his bad German and his perfect Icelandic. He let us know how much he is fascinated by the melodies of different languages and that he wanted to let us hear as much Icelandic as possible, noting that Swiss people never speak about the ocean, whereas water is a common metaphor for emotions in Iceland.

‘Morgunn’ was the first song, setting the mood. He made us laugh with declaring love songs as boring and played ‘Ölduslóð’ a song about friendship. We laughed even more when he talked about Icelanders communicating feelings and showed us Icelandic dancing with the feet firmly rooted on the floor because it’s so windy. What an introduction to ‘Emotional Anorexic’. I love hearing this particular sad song – it makes me strangely happy.

Next, we learned about Icelandic trees (“bushes bigger than you”) and forests, followed by ‘Undir Birkitré’ which led to the first sing-along of the evening. Most of us did it, because it’s good for you and “la la la” is easy to sing. Much easier than playing guitar and talking at the same time. 😉

Svavar spoke about frozen grief after losing his father and how he became a musician before playing us ‘Clementine’. The he announced two winter songs and let us know why Icelandic summer sucks and how people manage get hypothermia then. It was very funny. In contrast, ‘November’, was painted lovingly with words. The song is one of my favorites, putting a big smile on my face. <3

Before he continued playing, Svavar imagined a very late rockstar death. Let me just say it involved Raclette cheese. 😉 ‘Janúar’, his ode to the month that brings the light back, was beautiful – so much for not writing love songs. Getting back to the language theme, we got to hear Brahms’ ‘In stiller Nacht’ as a good example for German language melody. The introduction of the song included musings about clouds and musical examples how singers from different countries would write about them. 😀

It has been a while that I’ve heard him talk about Weltschmerz, Waldeinsamkeit and Wanderlust and how they help him make music. He played ‘Wanderlust’ then, but to my surprise there as not much of a sing-along. I guess that is reserved for audiences that know him better. He thanked everyone at the festival, recommended bands to see next, and encouraged us to check out the merch.

The last song of the evening was ‘Krummi Svaf í Klettagjá’ the raven poem he had written a new song about. We dang along again to the lalalas, then clapped and cheered so much that we got an encore. It was the song ‘Soundracks’ he has written for his daughter. I cannot recall ever hearing that one before. It was lovely.

Setlist

Morgunn
Ölduslóð
Emotional Anorexic
Undir Birkitré
Clementine
November
Janúar
In stiller Nacht (Brahms)
Wanderlust
Krummi Svaf í Klettagjá

Soundtracks

Afterwards I did not see Svavar at the merch table right away and knowing I’d see him again the next day, I hurried on to the next venue to see Lón. The band consists of two members of Valdimar plus one more guitarist. The songs were partly bluesy, partly poppy and full of great guitar playing and harmonies. I really enjoyed them.

In-between they talked about forming the band, buying hats on tour, their children and much more. I laughed often and thoroughly enjoyed their music. In the end they even ran out of songs to play – new band problem clearly. The last song was a nice sing-along one though. I loved it all and decided the night had been perfect. Thus, I went back to my hotel instead of checking out one more band.

pictures of this concert