In these bodies we will live, in these bodies we will die. Where you invest your love, you invest your life.

Mumford & Sons – Lanxess Arena, Köln; May 15th, 2019

Two nights ago in Cologne I saw my second ever Mumford & Sons concert. It was fun, the music was very enjoyable. They put on a good show as well and despite the stage being at the center of the arena,I don’t think anyone can complain about only seeing their backs. It also felt a bit like watching TV and I learned two things: 1. Unless I am a fan of the band I am seeing, as long as there is a general admission standing section seats will not do it for me. 2. I should have seen them when they were smaller and I would have probably loved it. As it was I had a nice evening and sometimes that has to be enough.

I discovered Mumford & Sons in 2012 with the arrival of their second album ‘Babel’. Mind you, I did not hear them on the radio or anything, they were recommended to me by a friend and I had no idea they were more than a band known by a few insiders. When a tour rolled around I wasn’t worried about getting tickets. Sure, the size of the venue they played in my area should have tipped me of to them being bigger than I assumed, but I did not even think about it. My local ticket seller didn’t have tickets yet and when the told me they’d get them the next day I still wasn’t worried about not getting one otherwise I would have bought online. Well, that turned out to be a big fail, because by the time the first day of sales was over all the tickets were gone. WHAAAAAA??? They came back again a year or two later, but charged twice as much for the tickets and I wasn’t willing to pay that. I saw them eventually and learned what a great live band they are, so when they announced their ‘Delta’ Tour I was game and bought a ticket right away this time.

The Arena in Cologne is known for shitty sound in the upper level seats so I made sure to get a lower lever one and hope for the best. For years I’d been avoiding anything but GA tickets at that venue, but it has made me miss a few potentially great concerts so I decided to give it a try this time. The good thing about seats was not having to leave work early. Arrived shortly after six, got in quickly, found my seat and had a lot of time to watch the arena filling up and read a few pages on my phone before the lights went down.

When support act Gangs of Youth started I immediately discovered that the “shitty sound” claim was indeed true. I mostly heard the drums. When the singer was talking it was OK, because there weren’t any instruments to drown out his voice, but as soon as the drums kicked in that was it. I think they were actually pretty good and I would like to believe I’d have liked them if only I could have heard the words and the music properly. As it was I thought they were OK, but soon found myself bored, because they did not manage to draw me in. Watching the people who stood in front of the stage rocking along to their music gave me an idea of what could have been though. The band made good use of the fact that their audience was on two sides of the stage and made sure to play to both of them. Somewhere in the set there was a song that was mostly piano based. I liked that one. At one point the singer went of off the stage and into the audience, which is always a cool thing to do and he even sat down in one of the seats. Watching them was actually quite fun, especially when the singer lay down on one of the speakers or showed us his dance moves. For one song they asked us to switch on the lights on our phones, but not everyone followed. I felt sorry for Gang of my Youth, because this was surely not their fault, but they did not really do much for me and I only hope things would improve for the main act.

First there was some more waiting though and watching as the stage setup was changed. Finally the last empty seats near me filled up with people arriving late. It wasn’t completely sold out, but pretty much. I wondered what the people all the way up in the nosebleeds felt like. Shortly after 9 pm the lights went out again and the band we had all been waiting for walked out.

Luckily the sound was much better now. It still wasn’t great, but I could hear all the instruments now. 🙂 Soon it occurred to me that I should have spent some time listening to their albums before going to their show. Now having done that in ages I didn’t remember or recognize any of the songs. A few seemed vaguely familiar to me, but certainly not on a level where I could have sung along. The people around me took care of that though. 😀 They started with a song from their current album ‘Delta’ which I don’t own yet, but I should have known the second song for sure. I didn’t matter all that much, it was fun anyway. With the second song Marcus told us that we could get up any time and many people did so right away, some never sitting down again for the rest of the night.

The view was great from my seat as I could see everyone on the stage and the audience in front. If I wanted a closer look I only needed to raise my head to the screen to my right, but mostly I kept my eyes on the stage and soaked in the atmosphere. They had an interesting light rig above stage that allowed for movement of the spotlights in every direction and created some beautiful effects. I briefly thought of Springsteen’s light crew that sat up high above the stage and controlled the spots from there. How things have changed. Watching the band move across stage was fun. They played to both sides equally and the audience on either side rocked not matter if the band was looking at them or not. People were jumping, dancing and having a great time. There was a lot going on and despite my good vantage point from above I’m sure I missed a few things, especially from Ben and Winston who were on the opposite side of the stage. I saw Ted lift the bass high over his head though (and that was the stand-up bass, mind you) and all the times Marcus stepped up on the edge of the stage and leaned out towards the audience. Later on during the show, he walked down, high-fiving people at the front as he walked past, went straight into the crowd and even climbed up on and over the barrier to where the seats were. That was pretty cool. 🙂

All the while I alternated between being a somewhat detached observer and getting into it, moving along with the music. Both was enjoyable, yet every time I saw the audience go wild in front of the stage I wish I was among them. here is nothing like being part of the crowd – no matter what concert. When we were asked to take out our phone lights, it was really beautiful though, to be able to see all of the arena turn into a sea of lights. In-between there was even the occasional lighter. What a nice old school gesture! It was ted’s birthday so one song was dedicated to him and at one point towards the end we were all asked to snap our fingers and most did for most of the song. 🙂 THat was pretty cool.

The encores started with the band gathering around one microphone, playing and singing softly. They did not really ask us to be quiet, but it was implied and I wish everyone in the seats had sat down then. The people in front of me chose to remain standing through the first song and so I had todo the same or I would not have been able to see and felt sorry for the people behind me. There is great power in acoustic music and this was one of the best parts of the show. People were still singing along, but quietly – nice! The band brought out Gang of Your for one song, before sending hem off again. I think it might have been ‘Awake my Soul’ where Marcus called out “If you know it, sing it!” and the audience did. Before ‘I will wait’ he congratulated Cologne for making it back into 1. Bundesliga in football and joked that the next song was going to be about football.

The left us with a beautiful rendition of ‘Delta’ which I saw from the back just before I rushed out to the train station. It was a good concert overall and I do not regret going, but I felt that something was missing. I am convinced that had I seen them back in 2013 I would have enjoyed the hell out of it and come back for more ever time they toured, but somehow they do not appeal to me the same way they did seven years ago. The ship of becoming as fan has sailed. That being said I still think of them as a good live band and that is no small feat.

Setlist

Guiding Light
Little Lion Man
Holland Road
The Cave
Beloved
Lover of the Light
Tompkins Square Park
Woman
Believe
Ditmas
Slip Away
Picture You
The Wolf

Encore:
Wild Heart (acoustic)
Only Love (acoustic)
Forever (acoustic)
Blood (The Middle East cover) (with Gang of Youths)
Awake My Soul
I Will Wait
Delta

History will be made, today is written boldly on his face

Benjamin Clementine – Konzerthaus, Dortmund; May 10th, 2019

I think it was 2017 when Benjamin Clementine played Iceland Airwaves. I had never heard of him before, but whatever songs I checked out made me curious enough to want to see him. Also L. recommend him. Sadly, I made the mistake of wanting to see The Anatomy of Frank first and by the time I got to the venue where Benjamin played it was already packed, so I did not get in. Forgot all about it until a few weeks ago when I discovered he was playing in Dortmund. Despite having no recollection of his music I decided to check him out. It turned out to be a great decision. I thoroughly enjoyed his concert.

It was a seated concert so I arrived late, but still early compared to everyone else. People were standing around sipping drinks in the foyer and the main doors were not even open yet. Soon I got to take my seat and while I waited I read the leaflet I had received at the door. So Benjamin Clementine usually plays alone and just has a piano, but this time he had brought a string ensemble. Strings? Always a good thing. I noticed that two of the players (stand up bass and violin) were named Guillaume and took that as another good sign. 🙂

As far as I know the concert wasn’t sold out, but it still surprised me how late much of the audience arrived. With concert halls like this one it often is a rule that they won’t let you in as soon as the performance has started. Not the case here as I learned when people continued to arrive well into the support act’s set. It was really distracting and kept me from fully enjoying Bevan Waller’s music. I liked the way he played, but his songs failed to grab me, even though I tried hard to concentrate. It wasn’t bad, but didn’t have any elements that struck me as special either. Nice music, fitting to introduce the main act, but nothing more. When it was over I really hoped I would actually like Benjamin Clementine.

Just before 9 the audience got restless and some were even clapping for the show to start. Just as I inwardly rolled my eyes and thought to myself “Like that’s gonna help…” the lights went down and the string players walked out. The moment they started playing I knew everything was going to be alright, because the music immediately drew me in. Soon Benjamin walked out and started singing. All I could think was “Wow! What a voice!” It was rich and beautiful. He kept walking around, close to the audience, only moving to the piano from time to time to strike a few keys. For a moment I regretted buying the cheap ticket, because I could not always see him.

With the second song he sat down at the piano though and I got a better view. Then I noticed he was barefoot. 🙂 For a while I got lost in the music, letting his voice carry me, not even really listening to the words just admiring how he went high and low, soft and loud. At times it was like chanting and I even closed my eyes, because it felt like a soothing lullaby. Some songs were rather long and at times the audience wasn’t sure when the were over yet, because some included breaks as well. Mostly we got it right though and clapped when it was over. 😉  The music was fascinating, I would not know how to categorize it and it doesn’t matter. The music spoke to me and carried me for a while. I remember ‘God save the Jungle’ ending in a part from ‘God save the queen’. 😀

Unexpectedly he stood up and motioned for us to sing along during ‘Condolence’. I was not prepared for this, much less did I know what words he wanted me to sing. “I send my condolences, I send my condolences to..” …what exactly? A few people reluctantly tried, but they didn’t seem to be sure either. He explained it then, but did so in German saying “Angst”, when he expected us to sing “fear”. I found it confusing rather than helpful. Still, eventually we caught on and everyone sang. It actually sounded very nice. However, I still could not figure out what we were supposed to sing the third time around. To insecurities? That is what most people sang anyway, some just shut up. It was kinda funny. Of course if I were actually a fan I would have probably known the song by heart. He asked only the women to sing, who did it softly, then the men, who did it loudly. He singled out someone who had sung quite high and asked him to stand up and sing alone. I felt sorry for the guy and was suddenly happy to sit so far back. He did alright though and got lots of cheers from us in return.

For most of the show I just admired Benjamin’s singing and the range of his voice. That alone would have captured me, but the music was also tearing at m heartstrings with all its beauty. Strings never fail me and his piano playing was gorgeous as well. I was in awe for most of the concert. From time to time he talked to us, saying a few words of introduction to the songs. At one point he asked if we were all from Dortmund and talked to someone from Colombia for a little bit. after ‘Gone’ he apologized for most of his songs being sad. I don’t mind at all, I love the melancholia and the dramatic parts too. it is difficult for me to describe the music, but every song was different and each of them managed to captivate me in one way or another. For ‘Adios’ we had another sing along going in the end with Benjamin going down from loud to a whisper and the audience following. There was something really powerful about it, making me feel connected to everyone else in the room.

We clapped and cheered for minutes while Benjamin introduced the string players: Barbara Le Liepvre (cello), Guillaume Roger (violin), Raphael Cooblin (violin), Julien Gaben (viola) and Guillaume Girma (bass). At that point he asked us to imagine they had all walked out and come back in so the next part was going to be the encore. 🙂 They played three more songs and during one of them he got up and kept walking around the string section in circled. It made me smile and I could not help but wonder if he had not done his 10000 steps for the day yet. 😉 In the end the ygot standing ovations and Benjamin received flowers that he passed onto his cellist. After they walked out, we would not stop clapping and cheering so Barbara and Benjamin came back one last time. They played ‘I won’t complain’ for us and it was glorious. A wonderful song to send us home with. 🙂

I loved the concert from beginning to end and I’m glad I went, even though I can’t quite put it all into words. It is the type of music I would most probably not listen to at home, but that works wonderfully when experienced live. I can’t categorize or even describe it well, but for 90 minutes it took me away from this world and that is all that matters. It was a concert well worth seeing.

Setlist

Winston Churchill’s Boy
God save the Jungle
Condolence
London
Cornerstone
Gone
Adios

The People and I
Phantom of Aleppoville
Farewell Sonata

I won’t complain