Lovely garden, church bells and bridge jokes

Svavar Knútur – Societätstheater, Dresden; September 20th, 2024

For a few years now, whenever Svavar Knútur plays in my area, I have other plans already and end up going east for a weekend to catch a few shows. Thus, I was back in Dresden at the Societätstheater to see him. It was a lovely sow at a beautiful location and I enjoyed it thoroughly.

As usual I arrived too early and first checked where the Gartenbühne was, since he had played inside the last time around. Ran into Uwe, who told me he’d let us in at 7. Got a drink while I waited and returned in tome for the opening, joining some others who were already waiting. Ended up sitting next to S., having interesting conversations with her all evening.

The show was slightly delayed, because Svavar had realized it was too cold without his lopapeysa, so he went back to the hotel to get it. Shortly after Uwe had told us, Svavar arrived and someone told him he ha a nice sweater. 😀 We learned that his lime bike broke down and he had to run some of the way. First song of the night was based on a poem by Látra-Björg about screaming waves.

He spoke about finishing a 15 year project about grief and that he was so happy to be done with this journey. Theoretically, he could now work a different job and stop making music, but he assured us he would not. Good. 🙂 “Let’s start at the beginning,” he said and played ‘Clementine’, which I always love. The sister song to it, ‘Humble Hymn’ is all about mistakes and Svavar mentioned how much they had sent him on the path he is on and how it has made him happy. He wrote it with Kaja Bremnes, a Norwegian singer and mentioned how hungover they were when they did. It was beautifully sung and our sing-along was great too.

We heard more about all the sister songs he writes and how they have a story that is combining. He explained how ‘Morgunn’ is about the joy of waking up to your family and how he gelt something was missing from he song until his son Refur was born and with his song, the picture became complete. Both songs were lovely. He taught us about 40% of Icelanders having Irish ancestors and which traits they had inherited, complete with a short scene from an Icelandic bar, all to explain the importance of knowing the word “Skál!” (not skål). It was hilarious.

Next up were the sister songs about refugees and Svavar said how he could not imagine leaving Iceland. ‘Lady Winter’ was beautiful, even though he fucked up a verse. I somehow thought a  few lines were missing, but later checked the lyrics and realized I was wrong. I should know better, it’s one of my favorite songs. ‘Hope and Fortune’ then, was wonderful and I remembered the show in Vienna when we had all sang along.

He told us that the curfew was ten and he’d play us one more song before the break. First though, we learned that he has bought a laminator, which has made him very popular in his family and beyond. Therefore, the merch sheet is laminated now (and contains a QR code for Bandcamp too). 😀 Inexplicably it lead to talking about AI images and a joke about Dresden only having two bridges now (since one broke down recently) – “too soon?” he asked. Lots us us laughed, so maybe not. Of course he told us why he prefers winter to summer and ‘November was the perfect ending to the first set. <3

After a short break, Svavar was back, telling us about the different kind of humor in Iceland versus Germany. We all got to sing along to ‘Janúar’ and it surprises me each time how well it works. It makes the song even better than it already is. Afterwards we learned where the word “you” came from historically. I love how Svavar just throws out these pieces of trivia from time to time.

‘While thenWorld burns’ was announced as one of his favorite songs and I understand why. It is a truly beautiful song despite all the dark imagery. Somehow we got from love songs to more bridge jokes and it was hilarious. Love songs, f course, must be followed by breakup songs, together with Svavar’s views on breakups being good for you and sometimes the right thing to do. True, two people should not be miserable together. And what does it mean to have had 5 and a half girlfriends? You have to ask him to find out. One of them he wrote three songs about and he played two of them, the fantastic and slightly depressed ‘Emotional Anorexic’ and the more upbeat ‘A glorious Catastrophe’.

‘Yfir hóla og yfir hæðir’ came as a surprise for me – I hadn’t heard that one in a while. It is such a happy song. He talked about the Ward, Knútur, Townes project and how he wanted a different band name, which lead to speaking about Icelandic monsters and how uncool they are, including some funny examples. We learned about mermaid sex too, at least how Svavar imagines it. Icelandic merfolk apparently look like gollum and their power is laughter so obviously their song is ‘isn’t it funny?’ 😀

The main set ended with ‘Slow Dance’ the song about his daughter Emma’s birth, but first he told us the dramatic story of ho it happened, making light of it, because it is the only way to deal with it. Luckily Emma was and is fine. The song is great and makes for a good finale. <3 During the story, the clock of the neearby church chimed ten. We still got one more song, ‘Krummi Svaf í Klettagjá’ and learned that he considers the raven his spirit animal. He also spoke about the raven that comes to visit his home every morning. Svavar thanked us and asked us to support small musicians everywhere, because making a living is hard for them

Afterwards I told him, how lovely it had been, hugged him goodbye and left together with S. until our ways parted. We agreed that it had been a wonderful concert.

Setlist

Orgar brim
Clementine
Humble Hymn
Morgúnn
Refur
Lady Winter
Hope and Fortune
November

Janúar
While the World burns
Emotional Anorexic
A glorious Catastrophe
Yfir hóla og yfir hæðir
isn’t it funny
Slow Dance

Krummi Svaf í Klettagjá

And in my dreams I feel immortal

Tarja Turunen & Marko Hietala – Matrix, Bochum, September 18th, 2024

Sometime earlier this year, I had spontaneously bought a ticket for this concert and then not thought about it until a few days before the show. I had expected Tarja and Marko tp play together, but it turned out they each played one set, plus they had a support act. That was a lot more music than I had expected and made the whole thing even more interesting. I had a great time.

Arrived something like an hour before the doors opened and stood in line with many others. Entering the venue went smoothly and to my surprise I still ended up only a few rows back from the stage. Nice! Half an hour later, support band Chaoseum was on sage and I remember few time sin my life wen I was more grateful for my earplugs – they were loud! They were also quite fun to listen to, even though their music was not really my style. Solid entertainment for half and hour.

The stage crew worked quickly and roughly half an hour later, Marko Hietala was on stage – he had brought Tuomas Wäinölä on guitar and it made me happy to see a familiar face. Not that his keyboarder and drummer weren’t great as well, but I didn’t know them. 😉 Being unfamiliar was Marko’s material, I was curious about the songs we were about to hear.

The show kicked off with ‘Star, Sand and Shadow’ – it rocked the house and I loved Marko’s clear voice. This was a great start. ‘Dead God’s Son’ was fantastic and then he told us he’d sing sing “in an almost disappeared, tribal language, called Finnish”. I loved the song and the best part was that I even understood a few words. ‘Isäni ääni’ means “My father’s voice”. 🙂 He asked us if we liked that stuff and when we confirmed, he said the next one was gonna be even more prog and “more full of love that you find in the dark” called ‘For you’. I really enjoyed it.

Marko told us they were having a special guest tonight, who was going to join them with their hurdy-gurdy and sing some backing vocals. He welcomed Patty Gurdy on stage. They talked about a single they had recorded together, but they were not going to play that one. However, they had a song from Marko’s upcoming album about “a white, nordic walker like me”, called ‘Rebel of the North’. It was a powerful song and their voices sounded great together. She stayed for ‘Frankenstein’s Wife’, which was described as “steam-punkish” – I had no idea what that was supposed to mean. but the song was very cool.

Marko thanked Patty and mentioned they never had the chance of playing live together. Did we want one more from the new album? We were not loud enough the first time around, so he asked again, then quipped “thank you for the answer, bt we would have done it anyway”. Then he explained that it was a bit controversial from the title, but about him and any other musician, because they all had done some things “for the money”. It was ‘Proud Whore’ – heavy and awesome.

Next up was another Finnish song, ‘Juoksen rautateitä’, this one much faster, so I understood nothing. So much for remembering some of my Finnish lessons. 😀 It was really fun though and I was moving with the music. “Alright the, one more semi-new song,” Marko started and as soon as he said “it has been out since last month” people started cheering. Since it was a duet song, he needed his “partner in crime and sister in spirit” to help him out and invited Tarja to join him. ‘Left on Mars’ was amazing and they sounded so good together.

‘Stones’ was pretty cool too – I really liked the guitar melody and we even sang, or rather screamed, along to the chorus. They were gonna give us one more song, a cover, but first, Marko spoke about all the wars going on in the world and authoritarian politicians, who are lying to us and dedicated the song to them. It was Black Sabbath’s ‘War Pigs’ – angry, loud and a perfect message to such people.

Setlist

Star, Sand and Shadow
Dead God’s Son
Isäni ääni
For you
Rebel of the North (with Patty Gurdy)
Frankenstein’s Wife (with Patty Gurdy)
Proud Whore
Juoksen rautateitä
Left on Mars (with Tarja)
Stones
War Pigs (Black Sabbath cover)

Another half hour break and Tarja Turunen hit the stage, starting with the brilliant ‘Eye of the Storm’ that sounded like a mix of metal and opera to me – there was clearly a tango in there too. 🙂 I loved it already. She thanked us for coming and asked if there was happiness in the house, promising we had good things coming. ‘Demons in you’ was next and so powerful, if not totally my thing. ‘falling Awake’ was wonderful though – great singing, amazing guitars.

She told us that the next song deals with the matter of time and that our time on earth is very short, that she herself struggles with living in the moment, but we should aim for that so when time is up we know we have lived. It was ‘Die Alive’ and really awesome. The softer, more piano based ‘I Feel Immortal’ followed – what a gorgeous, emotional song.

I enjoyed Tarja’s set just as much as Marko’s and loved how different they were, yet a great combination. She played piano and said that she felt really happy to be back and how Germany is very important to her. She told us that many years ago she was afraid and didn’t know where life would take her, but decided to listen to her inner voice that told her to start writing songs and this was the first song she ever wrote. It was the beautiful ‘Oasis’ – I really loved the piano line. It was in Finnish, so I did not understand the words, but liked the sound of them. “Alright, this one is kind of he last one I wrote,” she continued and launched into ‘Shadow Play’- what a fantastic, rocking song. <3 We all helped out, shouting “Hey! Hey! Hey! Hey!” before and after the gorgeous piano bridge. This was my favorite so far, ending in a great drum and guitar solo.

Meanwhile, Tarja had walked off and now came back, hand in hand with Marko, who joined her for a few songs. We greeted them both with huge cheers. They started right away with Nightwish’s ‘Dead to the World’, a cappella fo a few lines, then joined by the band – hell yeah, this was awesome. They sounded so good together and everyone was clapping along. 🙂

Next up was ‘Dark Star’, one of Tarja’s own songs. It started off with a great riff, that had everyone clap along and sounded fantastic with Marko singing harmonies. Tarja remarked that she was scared to step on Marko’s toes toes and only then I noticed that he was barefoot. He joked that she had done it only once so far, but he might need to wash his feet after this. He lifted one up and the sole was black with dirt. Music was more important though and they played the heavy and brilliant ‘Dead Promises’. What a perfect delivery.

During ‘Planet Hell’, another Nightwish banger, I made my way to the back, knowing I would not be able to stay until he very end. They sounded good from back there too, but I could not see much any more. It was still great and many were singing along (actually, it might have been everyone but me ;)) Marko left and Tarja played the fantastic ‘I walk alone’. I loved it, but still left during ‘Victim of Rutual’, because I had a train to catch. According to setlist.fm, there was a two song encore that I missed.

Sadly, when I got to the train station, the train was already delayed and it got considerably more until it was 25 minutes in the end. I could have stayed! Oh well, the evening had been fully worth the trip either way. 🙂

Setlist

Eye of the Storm
Demons in You
Falling Awake
Die Alive
I Feel Immortal
Oasis
Shadow Play
Dead to the World (Nightwish song) (with Marco Hietala)
Dark Star (with Marco Hietala)
Dead Promises (with Marco Hietala)
Planet Hell (Nightwish song) (with Marco Hietala)
I Walk Alone
Victim of Ritual

Encore:
Wish I Had an Angel (Nightwish song) (with Marco Hietala)
Until My Last Breath